The Historic Arthur

The greatest thing about Arthuriana is the mystery it is cloaked in.  The line between history and legend is fuzzy and at times incomprehensible.  Set right in the heart of the Dark Ages, after Roman occupation and before the Medieval influx of record keepers and historians, very little is known about the Britain Arthur would have ruled in, and even less is known about the man himself.  Did such a man actually exist?  Or was he a symbol of many great rulers of the time?  I have found a wide variety of opinions and arguments of this subject from different historians, so here is what I have comprehensively gathered.

From Nennius’ 8th century Historia Brittonum

Although the culture and setting of the legendary Arthur is usually associated with the Middle Ages (thanks to Geoffrey of Monmouth and Sir Thomas Malory), it is generally agreed upon that the historical Arthur most likely existed in the late 5th century or early 6th.  However, he does not actually appear in historical manuscripts until 400 years later.  The two accepted records written closer to his time, in the 6th and 8th centuries, do not mention a leader by the name of Arthur, but do mention a strong war-leader who united British leaders against Saxon invasions which allowed fifty years of peace.  Of course, that cannot entirely rule him out of existence since so many documents from that time have been lost and so few are still remaining.

Monmouth’s interpretation of a 5th century King Arthur

The earliest mention of an “Arthur” is in Nennius’ 8th century Historia Brittonum, in which he defeats the Saxons in twelve different battles.  Each battle is given a site, all of which have historic parallels, and the last one being on Badon Hill.  This is also the legendary battle in which Arthur defeats the Saxons once and for all and brings Britain into a time of peace.  Thus, we see how the history affects the legends, whether or not that history is accurate.

The first comprehensive development of Arthur as a powerful king of early Britain is in Geoffrey of Monmouth’s 12th century History of the Kings of Britain.  Monmouth’s chronicle provides the bridge between the vague historical figure and the legendary King Arthur.

Many believe, and I agree with this idea, that King Arthur is based on more than one historical figure.  Lucius Artorius Castus was a 2nd century Roman officer who was stationed at Hadrian’s Wall (now in modern-day Scotland).  This name could have been carried over to other 5th century British leaders.  Ambrosius Aurelianus, or Aurelius Ambrosius, was a powerful 5th century king in West Britain.  His parents are referred to as noble, mostly likely Roman royalty.  He was feared by the ruler Vortigern and fought Saxons, and is commonly known to have been a king over all other Briton kings.  In legend, Ambrosius overthrows Vortigern, is the son of Constantine, and the brother of Uther Pendragon, which would make him Arthur’s uncle.  However, it is very possible that he is the basis for Arthur himself.  There is also a British king mentioned in 5th century texts from the mainland (modern-day France), referred to as “Riothamus.”  This name means “supreme king,” or “king above all,” and is possibly referring to Ambrosius.  He was thought to be an impartial, honorable, compassionate ruler.  Mainland manuscripts report him as sailing across the channel to help the emperor Anthemius fight the Gauls.

A helmet that would have been worn by a 5th century Briton war-leader or high ranking officer

The root of Arthur’s name also gives clues as to his origin.  “Arth” is the Brythonic name for “bear,” while “ursus” is the Latin translation.  During the 5th century, names were often composed of both Brythonic and Latin roots, so his name could have easily been “Arthursus”, shortened to “Arthur.”  Many believe this could refer to any powerful king of the time who was nicknamed “the Bear King.”  This opens many new possibilities to interpretations of a historical Arthur.

So who was Arthur, really?  He could have been the Roman Artorius, misplaced in the 5th century.  He could have been Ambrosius, but named after the earlier Artorius.  He could have been any powerful king in the 5th or 6th centuries that was nicknamed “the bear.”  He could have merely been fabricated by a few creative historians.  I doubt the world shall ever know.

And yet that is the beauty of it all.  The mystery, the speculation, the possibility.  That is what has allowed Arthurian legends to become timeless, intriguing, and so incredibly influential.  As long as humanity doesn’t know for certain that Arthur never existed, he could have existed, and therefore, he did.


Untangling the Web

What do I think when I hear “Arthurian?”  Round table, witchcraft, sword in stone, adultery, knights, Camelot.  Sometimes I think of Monty Python, or the Disney cartoon, or Julia Ormond and Sean Connery.  I feel relatively familiar with the subject, but there is always an element of confusion that goes along with these thoughts.  I know the basic characters: Arthur, Merlin, Guinevere, Lancelot, Morgan le Fay.  But there are always those more obscure individuals that pop up every so often that throw the standard plot into chaos: Elaine, Morgause, Igraine, Pellinore, Isolde, Mordred.  Where exactly do they fit?  What exactly happens in these legends that have been added to, embellished, and passed down through centuries upon centuries?

These are questions that led to me choose this topic for a research project.  I realize that some of these questions may not have answers.  That’s the problem with legends: there is no one right answer.  But that is also the intriguing thing about legends.  I want to explore all the different possibilities of these stories and how they actually relate to real events from history.

Examining these legends should also give me a good amount of insight into British culture and tradition.  These legends played a large role in and continue to contribute to British literature, art, and film.  Being able to take all of this in together will not just be exceedingly interesting, but also enlightening.

Lancelot and Guinevere by Herbert James Draper.  Did I mention there is bucketloads of beautiful Arthurian artwork out there, especially from my personal favorite, John William Waterhouse.  And Dante Gabriel Rossetti.  I will definitely be having multiple posts to come with some of their lovely art.